Eugen Sandow: a body worth immortalising

In fact, Lankester thought that Sandow could prove to the public that the rippling muscles and pert buttocks as seen on Greek statues that graced many European museums were not just fantasy but attainable to anyone.

But there was another reason for the statue, though reprehensible by modern standards. Lankester planned on commissioning a series of statues that represented the 'perfect type' of the different human races. When Sandow's statue, the first of said series, went on display it was labelled 'Homo Europiensis'. 

Eugen Sandow's greatest feat of endurance

Lankester commissioned the company Messrs Brucciani & Co of Great Russel Street, London, to make the cast at a cost to the Museum of £55. But this was no typical request.

The plaster itself took at least 15 minutes to harden, meaning the Prussian hunk had to stand motionless in the required pose, without any support, all while tensing his muscles.

Sandow is reported to have said of the experience, 'This is what had to be done. […] I regard it as the greatest feat of endurance I have ever performed.' 

The completed cast was so elaborate it had to be conducted in sections and took an entire month to complete, likely as a result of trial and error. 

'Good heavens, time and time again I thought I'd have given up, the strain was awful,' Sandow said. 'I used to finish after each piece was done fairly "blown", perspiring and winded much more than after the most arduous weight-lifting competition I have ever accomplished.

'One feels as if one were being suffocated, especially when the mould of the face is being taken. I had to keep the muscles of the chest and abdomen still, and take very small, quick breaths, never entirely filling or emptying the lungs, but just taking in - almost continuously - enough fresh air to take the place of that I used up; at the same time keeping the muscles set so as not to disturb the outer contour.'

Sandow would later remark that while he was proud to have been cast and placed in the Museum, he would not repeat the experience for any amount of money.

He positioned himself as what many consider the first professional bodybuilder, and found ways to further capitalise on his era's fascination with the human body. Rather than simply continuing to perform on the circuit lifting great weights and entertaining crowds with his feats of strength, Sandow turned to the art of posing.

Using a specially designed posing box, with lights fitted at just the right angle to highlight each of his bulging muscles, he would flex and pose in nothing more than a leopard-skin loincloth.    

Undoubtedly there was a sexual element to all this, as he moved from being admired for his performance to being adored for his looks. Sandow even offered private viewings of himself - often naked - once his public performances were over. 

But it wasn't just women who wanted to see his perfect body, as among his followers there were throngs of men.

According to Professor Fae Brauer, who wrote a paper exploring the homoeroticism of the bodybuilder, 'Sandow implored his male spectators to join him in his dressing-room - as well as those women who could afford US$300 - for the pleasure of feeling his body and fingering his muscles.

'In Sandow's dressing room, the two gentlemen attired in dinner suits seem to have feasted their gaze not just upon the pectoral musculature of Sandow's bared body but also upon his genitalia, with one leaning so far forward that his spectacles have slipped down his nose.'

The sexuality of Sandow has long been debated, but with very little resolution.

He married Blanche Brooks in 1896, with whom he had two daughters named Helen and Lorraine. While there have been rumours that Sandow may have been either gay or bisexual, as is often the case with the history of LGBTQ+ people they have remained just that: rumours.

What we do know is that Sandow and Blanche were on terrible terms by the time of his death in 1925. It is believed that Blanche burned many of his personal letters, before having him buried in an unmarked grave in south London. The cause of this strife will always remain a mystery, as she refused to talk about what occurred between the two of them. 

Despite at one point being known from the United States to Australia, Sandow's name has been partially lost to history outside niche circles. Both performer and entrepreneur, he captured the imagination of entire nations, leaving a legacy in which he sparked a mass interest in exercising for the good of your health while kick-starting the field of professional bodybuilding in the process.