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Field work with Nature Live

2 Posts tagged with the entomologist tag
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At the field station on St. Mary’s I find Martin Honey, an entomologist who works on lepidoptera. He shows me his moth trap, which is a circular vessel filled with empty egg cartons with a glass lid and a large light bulb in the middle (in other words, it looks a bit like a big rice cooker with a light bulb sticking out of the top!).

moth-trap-600.jpgMartin's moth trap in a shady area at the field station. Awaiting winged nighttime visitors.

 

Martin tells me that when he switches on the bulb - which is mainly ultraviolet light - at night, the moths are attracted and once inside, they can rest on the egg cartons until he collects them in the morning. Martin keeps the trap in shady places so that the moths don’t get too hot in the sunlight. He shows me a few specimens that are inside and says he has just freed quite a lot so if I come back tomorrow he will keep some for me to draw.

 

Martin shows me a specimen that he has put to sleep with a special liquid. The moth’s wings are closed, and I ask how the wings are kept open as we see in the museum collections. This proves to be a good question...

 

In the field work room we find Martin's microscope and a few dozen moth specimens. He tells me that the wings are set by hand, and proceeds to show me how this is done. He carefully takes a moth specimen with forceps and places it under the microscope alongside some pins, which are so small they are almost invisible!

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Moth specimens and pins at the microscope, ready for setting.

 

Martin looks down the microscope, controls the instrumental pins with forceps and begins to slowly open the wings… he arranges the legs at 45 degrees and makes sure the antennae are forward, then slowing impresses the pins into the foam to hold the posture that he has now created for the moth specimen. He makes it look effortless and I am inspired, it is really quite an artful practice.

 

Martin tells me he learned to set moth wings by hand at the Museum, and I am intrigued to hear more:

GA: Are all entomologists at the NHM expected to do this in their job description?

MH: Some people just cannot do this, it requires too much dexterity.

GA: So some scientists can do it, but are people employed just to do the setting, and in the past, has the NHM employed setting staff?

MH: Yes - there used to be a special room called the setting room in the NHM, and specially trained people just did that work. Now there are specialist setters in Prague, they are not scientists but mostly amateur entomologists. I may send the larger specimens there depending on their number and I might do some setting work when I retire, and challenge the Prague group!

live-specimens-550.jpgMartin gives me four live moth specimens found on St.Mary's. I will draw them and let them go afterwards.

 

Posted on behalf of Gemma Anderson, an artist and PhD researcher who accompanied Musuem scientists on a field work trip to the Isles of Scilly between 17 and 23 August 2013.

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Today we rose early! By 7.00 we had left base camp and were beginning the 6-8 hour trek [I sit here smug, we did it in just over 6] to the hut that is to be our home for the next week and a bit. Breakfast was rice and beans (a theme is emerging!).

 

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(Click the images to see them full size)

 

The first half of the trek was uphill (i.e. absolutely knackering) but the views from the occasional break in the canopy were breathtaking and kept us pushing on.

 

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We are working alongside Costa Rican botanists, one of whom is Daniel. He has an incredible knowledge of the local environment and found this plant, Satyria warszewiczii on our trek.

 

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The flower’s corolla (a corolla is when all of the flower’s petals have fused into a tube) is edible and tastes a little bit like bitter lemon or blueberries (or vinegar depending on who you ask!):

 

 

After 4 hours we reached the continental divide, the point at which Costa Rica splits between Atlantic and Pacific forest. Water that falls either side of this divide ends up in either the Pacific or Atlantic ocean. Alex had a unique way of explaining this:

 

 

The forest changed dramatically once we were on the Atlantic side - on the Pacific side our path had been dry and dusty but once we crossed over, the forest was damper, darker, cooler and wetter. This is because the prevailing wind blows from the West.

 

The wind picks up moisture from the Atlantic Ocean and Caribbean Sea and carries it to the western Atlantic slopes of the forest before dumping it there. Therefore, because less water reaches the Pacific side, it’s much drier.

 

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The rain increased as we got closer to our hut. We arrived damp and tired but very excited about the days ahead.

 

The camp is made from naturally fallen trees from the forest and the roof is corrugated iron - the sound of the rain drumming above me as I sit inside with a coffee is wonderful!

 

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I’ll post some more pictures of the camp tomorrow - the battery in my camera has run out of juice and our generator is not yet up and running.

However, we found some really nice things on the way, this is a beetle grub:

 

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And this beautiful moth:

 

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I'll have to see if the Museum's enotmologists know what species they are...

 

Tomorrow we start collecting and the hard work begins but Holger has already had success after popping down to a nearby stream and finding two species of lichen never recorded in Costa Rica before.

 

Tonight, more beans and rice and early to bed.

 

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Remember we'll be live-linking from Costa Rica to the Museum's Attenborough Studio at 12:30 and 14:30 on Saturday 11, Sunday 16 and Saturday 18 February so, if you are in London, come along to see how we are getting on!


The Attenborough Studio is located in the Darwin Centre in the Museum's Orange Zone.