Wildlife Photographer of the Year’s reputation is reinforced by the expertise of our jury and the vigour of our judging process. Meet the sixty-second year’s international panel.
- Laurent Ballesta (France) Biologist and Underwater Photographer
- Jasper Doest (The Netherlands) Photographer
- Florence Goupil (Peru) Documentary Photographer
- Blanca Huertas (UK/Colombia) Entomologist and Principal Curator of Lepidoptera at London’s Natural History Museum
- Clement Kiragu (Kenya) Wildlife Photographer and Cinematographer
- Kathy Moran (USA) Photo Editor and Chair of the Jury
- Sudhir Shivaram (India) Wildlife Photographer and Educator
An invitation from the Chair of the Jury, Kathy Moran
Paying tribute to photographer Jim Brandenburg, Rhett Butler of Mongabay wrote, “In an age of noise and haste, Jim found greatness in patience.”
With patience comes the opportunity to fully immerse yourself in an ecosystem, to look, to listen, to feel and fully understand what is happening around you.
And with that knowledge comes an appreciation and respect for boundaries, for an ethical approach to natural history photography.
With shrinking budgets and less time in the field, one of the greatest challenges wildlife photographers confront today is how to balance the desire to make powerful images with an ethical responsibility to protect wildlife and wild places.
But as the 2018 WPY Rising Star winner Michel D’Oultremont has said, “Without patience it’s not possible to see.” Seeing ethically is what Wildlife Photographer of the Year is about and in that spirit it is my honour to invite you to participate in the sixty-second edition of the competition.
Like the natural world, the competition rules are ever evolving.
Please take a look and understand the competition parameters as well as the focus of each category.
All entries must be of non-captive wild animals, plants, fungi, landscapes and habitats unless the category description specifies otherwise.
If you are new to the competition, please note under Ethical Requirements that the use of wide-angle photography and low flying drones at or over nests or dens is not allowed, as well as “using artificial lighting in a way that may distress, endanger or blind a subject … An animal’s welfare must always come first.”
And please note this critical change to the competition rules: “Photography involving any interference, or baiting (including luring with food/feeders, scent, sound) or any means attraction is not eligible. To clarify, entries must have been taken in natural situations without interference by the photographer or anyone else. The only exception is the documentation of field research by scientists; captions must include full details.”
Also note that all photographs, regardless of category, must have been made within the last five years. Anything with a capture date prior to October 2020 will not be accepted.
Most importantly, this is a photographer’s contest; all AI generated images are not eligible and will be disqualified.
One aspect of the competition is bedrock – the deadline for entry – 11.30 GMT on Thursday 4 December 2025.
My best advice is: mark your calendars, enter early, do not procrastinate! There will be no extension on the deadline.
Confusion over time zones, conflicting schedules, incorrect files, one bad internet connection have all contributed to frustration for photographers and disappointment for the jury.
We want to see your photographs.
Be original. Trust in your work.
All species and landscapes, great and small have the potential to captivate and motivate.
Categories like Wetlands and Oceans should not be overlooked.
Terrestrial species fill the categories but we would welcome more underwater imagery as well as invertebrates.
Think carefully about where your photographs will stand out.
An image that might be overlooked in Animal Behaviour or Portraits could be fantastic in Animals in Their Environment.
We will also be looking for an image for the Impact Award – a conservation success, a story of hope and/or positive change.
Surprise us with what has delighted you this year.
It is your vision that will shine.
Informative captioning and full disclosure as to how a photograph was made are incredibly valuable to the jury.
A little background can go a long way in persuading the jury to move an image forward, so I strongly recommend submitting a full caption when you enter the competition and not wait until you may reach the final round.
Knowing that an image was baited for photography vs baited in pursuit of research is a key difference.
One of the great honours of serving on the WPY jury is the trust that the photographic community shares with us – trust that we respect your work, that we value your commitment to the natural world and that we endeavour to hold the competition to the highest standards.
We believe in you and once again we can’t wait to be amazed.
Kathy Moran, Chair of the Jury