Wallace100 is an informal international association of organisations with projects that are designed to celebrate the 100th anniversary of Wallace’s death in 2013. Its main purpose is to publicise the anniversary and the events which are being planned to commemorate it.
The Museum has set up an events page where all such projects can be listed. To have your event included and to obtain copies of the Wallace100 logo please contact me (i.e. George Beccaloni). Even if you do not have a project, we would be grateful if you could help to publicise Wallace100 by including the logo on your website and linking to the events calendar.
By co-ordinating our efforts and working together where possible, we will ensure that 2013 is the biggest and best celebration of Wallace's life and work ever seen!
The Museum will be launching its Wallace100 projects on 24 January 2013. Wallace Letters Online, the Web version of the Wallace Correspondence Project's catalogue of letters to and from Wallace, will also be officially launched on that date.
The Wallace100 logo
The logo features three males of Wallace's golden birdwing butterfly and its orange colour is similar to that of the butterfly. The logo is available in two different sizes and backgrounds and there is also a black version which might look better on some websites.
Wallace's golden birdwing butterfly
Wallace's golden birdwing butterfly was chosen for the logo because it is probably the most famous of the one hundred and thirty species and subspecies of south-east Asian butterflies which Wallace named. Its scientific name is Ornithoptera croesus - Crösus being a mythological king famed for his wealth.
Wallace caught the first male specimen of this magnificent butterfly in 1859 whilst on the Indonesian island of Batchian (Bacan), and the rapturous account he gave of its capture has since become legendary:
"I found it to be as I had expected, a perfectly new and most magnificent species, and one of the most gorgeously coloured butterflies in the world. Fine specimens of the male are more than seven inches across the wings, which are velvety black and fiery orange, the latter colour replacing the green of the allied species. The beauty and brilliancy of this insect are indescribable, and none but a naturalist can understand the intense excitement I experienced when I at length captured it. On taking it out of my net and opening the glorious wings, my heart began to beat violently, the blood rushed to my head, and I felt much more like fainting than I have done when in apprehension of immediate death. I had a headache the rest of the day, so great was the excitement produced by what will appear to most people a very inadequate cause." (Wallace, 1869. The Malay Archipelago.)
A few years ago I did some detective work and I am pretty sure that I managed to find the very specimen that Wallace got so excited about. It was amongst dozens of other specimens of this species (some collected by Wallace) in the NHM butterfly collection and I was able to pin-point it because of certain information on the label that Wallace had pinned beneath it. Curiously it has a faint fingerprint on each of its forewings - possibly those of Wallace himself, when, trembling, he took it out of his net.
I told this story to a poet friend and she wrote a wonderful poem about it which was later published in her book Batu-Angas, Envisioning Nature with Alfred Russel Wallace.