Follow our posts for the latest news about the Earth Sciences Department, from the most recent publications, awards and conferences to updates from palaeontologists and mineralogists working in the field.
Last month a new temporary display featuring some of our foraminiferal specimens and models was placed in the Museum gallery. This features real microfossils on one of our foraminiferal Christmas card slides alongside 20 scale models, part of a set of 120 models generously donated to us last year by Chinese scientist Zheng Shouyi.
Senior Microfossil Curator Steve Stukins admiring some of the specimens and models on display and thinking "this is a much better place for them than the Curator of Micropalaeontology's office!"
As a curator dealing with items generally a millimetre or less in size I have not often been involved in developing exhibits other than to provide images or scale models like the Blaschka glass models of radiolarians. Displaying magnified models is one of the best ways to show the relevance of some of the smallest specimens in the Museum collection, the beauty and composition of foraminifera and to highlight our unseen collections.
This display features one of our most treasured items, a slide with microscopic foraminifera arranged in patterns to spell out the words 'XMAS 1912'.
A festive slide of foraminifera created by Arthur Earland.
This was created by Arthur Earland for his long time collaborator Edward Heron-Allen. A previous blog tells of the sad end to the relationship between these two early 20th Century foraminiferal experts, a story that featured in the Independent under the heading 'shell loving scientists torn apart by mystery woman'.
The slide itself is amazingly beautiful under the microscope and a close up view (see above) is shown on the back board of the exhibit. The naked eye can show the arrangement of the specimens on the slide but cannot really pick out the beauty of the foraminifera. I was at a collections management conference about a year ago where it was suggested that the public feel duped by seeing models rather than real specimens on display. In this instance, the scale models serve to show the beauty as well as to enhance the relevance of the real specimens on display.
Foraminiferal models by Alcide d'Orbigny that also feature in the display.
French scientist d'Orbigny (1802-1857) was the first to recognise that creating models was a good way to show his studies on the foraminifera. These models were created to illustrate the first classification of the foraminifera, a group that at the time were classified as molluscs.
A selection of Zheng Shouyi's models of foraminifera.
Chinese scientist Zheng Shouyi was inspired by d'Orbigny to create models of foraminifera to illustrate her work and to show the beauty of the Foraminifera. Of the 120 models she donated to us in 2014, 20 have been carefully selected for this exhibit. The selection shows a variety of different wall structures, a range of shapes, species for which we have the type specimen as well as some species of planktonic foraminifera relevant to current research at the Museum. Zheng Shouyi is also famous for encouraging and overseeing the production of the world's first foraminiferal sculpture park in Zhongshan, China.
If you are able to pop into the Museum, please come and see this free display. It is situated just after the exit from the dinosaur exhibition on the opposite wall to the dino shop. We can't promise any giant scuptures but I'm sure that you'll agree that these models certainly illustrate the beauty and help to explain the relevance of some of the smallest specimens hidden behind the scenes at the Museum.
Micropalaeontological evidence is increasingly being used to solve major crimes. Read on to find out about Steve’s involvement in Crime Scene Live, how our collections could help forensic studies and how our co-worker Haydon Bailey gathered some of the evidence that was key to convicting Soham murderer Ian Huntley.
Botanical or microfossil evidence?
The following image is of modern pollen, so could be described as botanical rather than micropalaeontological evidence.
A variety of modern pollen types similar to the ones investigated at the Crime Scene Live event.
As I mentioned in my post What is micropalaeontology?, distinguishing when something is old enough to become a fossil is difficult, particularly when some modern species are present in the fossil record. The Museum's microfossil collections contain modern species, particularly our recently acquired modern pollen and spores collection, and this collection has enormous potential as a reference for forensic investigations.
What can microfossil evidence tell us?
Because organisms that produce microfossils are present in a wide range of modern and ancient environments and can be recovered from very small samples, they can provide a lot of useful information. Mud or sand recovered from boots or clothing can show where the wearer has been and even the pollen content of cocaine can provide evidence of its origin or where it was mixed.
A scanning electron microscope image of British chalk showing nanofossils.
These details can relate a suspect to a crime scene, relate items to a suspect/victim or crime scene and prove/disprove alibis. Evidence can also show cause of death, for example, diatoms or freshwater algae present in bone marrow can indicate drowning.
Microfossil evidence helps solve the Soham murders
Haydon identified chalk nanofossils on and inside Huntley’s car that were common to the track leading up to the site 30 miles from Soham where the bodies had been dumped. For details about all the scientific evidence used, this article on the Science of the Soham murders is an interesting read.
Members of the public participating in Crime Scene Live activities.
Senior Micropalaeontology Curator Steve Stukins writes about Crime Scene Live at the Museum:
"This special public event gives the audience a chance to become a crime scene investigator for the evening using techniques employed by scientists here at the Museum. People are often surprised that the Museum is involved in forensic work, especially using entomology (insects), botany (plants) and anthropology (analysis of human remains). Crime Scene Live uses all of these disciplines and forms them into an engaging scenario for the visitors to get involved in.
Palynology, in most cases pollen, is used quite often in forensics. As pollen is extremely small, abundant and diverse in many environments it can be used to help determine the location of a crime and whether a victim/perpetrator has been in a particular place by understanding the specific pollen signature of the plants in an area.
Our jobs as forensic detectives in the Crime Scene Live Event were to determine where a smuggler had been killed, for how long he had been dead and the legitimacy of the protected animals he was thought to be smuggling. I’ll be giving away no more secrets about the evening, other to say that it was a great pleasure to be involved in a thoroughly enjoyable event and the feedback from the visitors was superb."
So if you fancy a bit of murder/mystery then why not come and help micropalaeontology curator Steve Stukins solve the Case of the Murdered Smuggler on 1 May or in October. Details of other Crime Scene Live events scheduled for this year can be found here.
We’re delighted to announce the start of a new meteorites project called Shooting Stars @ the Natural History Museum that aims to observe meteors over the UK.
Meteors (also known as shooting stars) are dust and rocks from space that generate a bright trail in the sky as they pass through the atmosphere. When a piece of rock enters Earth’s atmosphere it is moving very quickly (11 – 70km per second). As it falls to Earth the friction from the air causes it to glow and disintegrate. A very bright meteor is called a fireball. If the fireball is large enough (usually >1m), some of the rock may survive the fall and land on the Earth’s surface, which is when it becomes known as a meteorite.
Meteorites record 4.5 billion years of solar system history, but we rarely know where exactly in the solar system they came from. We think most are from asteroids, and some may even be from comets. One way to confirm this is to know a meteorite’s original orbit, which can be estimated if its fireball is witnessed from multiple locations. However, out of a collection of ~50,000 meteorites worldwide, fewer than 10 have been observed falling to Earth in enough detail to accurately calculate their orbit.
My desk is getting crowded but we now have everything we need to start watching the skies!
To increase the chances of seeing a meteorite while it is falling to Earth, a number of digital camera networks, dedicated to detecting meteors and fireballs, have been set up around the world. Some use highly sophisticated cameras and software, whilst others are more low-tech affairs.
Our Shooting Stars project will contribute to these networks by using two CCTV cameras to search for meteor fireballs above the UK. One camera will be placed on the roof of the Natural History Museum in South Kensington, and the second will be located at our Tring site to avoid the effects of light pollution in central London.
Our new toy! This is one of the CCTV cameras that we will use to search for meteors and fireballs above the UK.
Over the last few months we have received almost daily deliveries of cameras, lenses, cables and computers. We’re hoping to have the first camera built and ready for testing in the next couple of weeks, so check back here and keep an eye on our twitter account for the latest updates.
A fish-eye lens will be attached to the camera to give us a wide-angle view of the night sky.