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12 Posts tagged with the wildphotos tag
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This weekend will no doubt be a busy one for the Wildlife Photographer of the Year exhibition in our Waterhouse Gallery. The exhibition closes here at the Museum on Sunday 23 March. However, it's at the later time of 20.00 GMT as we've extended opening for the last day (last admissions are at 19.15 so you have time to view the exhibition).

 

On Saturday, the exhibition also stays open a little later until 19.15, so book your tickets now if you don't want to miss out. On both evenings, you can also dip into tapas at the bar in the Deli Cafe between 17.30 until 19.30. Check out the exhibition page for more details.

 

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Light path by Charlie Hamilton James, runner-up in the Behaviour: Birds award category, WPY 2013 competition. Select images to enlarge.

 

Making one last tour of the gallery this morning, I noticed the tiny details in this vivid shot of a kingfisher taken by Charlie Hamilton James in Gloucestershire. The focus may be the motion blur of the bird's dazzling feathers, but look closer and you'll spot a tiny fish in its beak and another attentive kingfisher far away in the distance (the other parent). That's the joy of seeing these unforgettable photographs close up and so beautifully lit in the gallery.

 

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The magical kokerbooms by Ugle Fuertas Sanz, commended in the Botanical Realms category, WPY 2013 competition.

 

Stars twinkling over kokerbooms on one enchanted night in Namibia is another one - the image comes alive when you stand in front of it. You're beamed into that dream sunsetting scene.

 

To come across a family of endangered Amur leopards in Russia's Kedrovaya Pad Nature Reserve is a rare and extraordinary sight. Valeriy Maleev's composition of the staring leopards caught in the act among the deer carnage, and blending into the pale jagged rocks, has incredible impact close up.

 

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Survivors by Valeriy Maleev, runner-up in the Gerald Durrell Award for Endangered Species, WPY 2013 competition.

 

The exhibition of these 100 award-winning images is already on its UK tour, so even though it closes in London this weekend, it will open in Edinburgh and Cardiff shortly with more venues to follow. The 50th competition winners will go on show in the Waterhouse Gallery later in the year in October.

 

If you've entered the 50th competition, check out the jury who have now started their selection process, with the final judging rounds due in April.

 

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There are just hours to go to submit your most spectacular and creative visions of wildlife caught on camera to the 50th Wildlife Photographer of the Year competition. It closes at 12.00 GMT on Thursday 27 February. So enter now.

 

This year's competition saw a simpler set of subject and photographic categories introduced as well as new awards. So far there have been tens of thousands of entries from around the world, with a lot of interest in the new TIMElapse and portfolio adult categories as well as the WILD-I category for young smartphone photographers.

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Magic mushrooms by Agorastos Papatsanis. Agorastos spotted these two parasol mushrooms growing in woodland in Greece's Grevena region. 'Nature is the true designer,' he says of his fairytale shot, taken with double exposure, in-camera.

 

Here are some words of advice from the WPY team for last-minute entrants:

 

'We want to see outstanding shots of any species, like these three 2013 award winning images pictured here. Photographs that depict the familiar to the less well known, the widespread to the endangered, the charismatic to the overlooked, and the urban to the wild.

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Grand raven by Chris Aydlett. This is a perfect example of a familiar subject presented in an original, dramatic way. Using the strong midday light, Chris created the shot in black and white, to give the scene impact and boost the metallic gloss of the raven's plumage.

'Our competition judges, as ever, are looking for fresh, creative images that reveal the diversity, majesty and beauty of life on Earth. As well as those that highlight the fragility of the natural world.

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Feast of the ancient mariner by Brian Skerry. Brian's vivid underwater shot shows the elusive leatherback turtle feasting on a free-floating colony of  tiny tunicates (sea squirts). It's a rare portrait of an incredible surivor.

'It doesn't matter where you take your shot. It could be in a garden or car park, underwater or in a remote corner of our planet. Just take a closer look and share your vision with us, wherever you are. There's still time. And good luck!'

 

The first round of the judging for the 50th competition entries starts on 10 March.

 

Find out about the competition's adult categories and young categories before you enter the competition.

 

Visit the WPY 2013 exhibition

 

Follow the WPY blog to get behind the scenes with winning photographers and judges

 

Stay connected with WPY on Facebook and Twitter

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There's something about these two very different beasts: The enigmatic elephant with its swaying trunk and flapping ears atop those giant lumbering legs. And the endangered gharial with its cracked skin, eyes popping as it floats in the murky waters with its brood. Both fitting subjects, captured beautifully in unique portraits by this year's two grand title winning Wildlife Photographers of the Year. These images will take pride of place in the Wildlife Photographer of the Year 2013 exhibition opening here at the Museum this Friday, 18 October.

 

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Essence of elephants portraying a herd gathered at a waterhole in Botswana’s Northern Tuli Game Reserve, has made Greg du Toit the 2013 Wildlife Photographer of the Year. To depict these gentle giants in this ghostly way, Greg used a slow shutter speed and wide-angle lens tilted up.

 

The two coveted prizes for the 2013 competition were awarded to Greg du Toit and 14-year-old Udayan Rao Pawar earlier this evening, 15 October, at the glittering awards ceremony held here at the Natural History Museum. The two winning images swayed the judges and beat nearly 43,000 other entries from 96 countries.

 

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Mother's little headful snapped by 14-year-old Udayan Rao Pawar depicts a mother gharial crocodilian crowned by her babies in the waters of India's threatened Chambal River. Competition judge Tui De Roy described the image as wonderfully playful and thought-provoking and the deserving 2013 Young Wildlife Photographer of the Year.

 

Both winning photographers are pictured below. They were among several other photographers and competition judges who gathered last night in readiness for the awards ceremony where the winners were announced.

 

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On location: Greg du Toit and Udayan Rao Pawar - this year's grand title winners.

 

'It was amazing and almost emotional to see young Udayan meet his hero, acclaimed wildlife photographer and competition judge Steve Winter,' says Gemma Ward, competition manager.

 

'I'm staggered by the standard of photography from the youngsters and how seriously they take their interest and how much nature and the camera means to them.

 

'And I'm also really impressed by the winner of the Eric Hosking Portfolio Award this year. This award highlights a sequence of images from a budding photographer between the ages of 18 and 26 years. It's an exceptionally strong portfolio of pictures and subjects from Canada's Connor Stefanison, with each one a stand-out.'

 

Enjoy all 100 prize-winning photographs from the 18 award categories in the 2013 competition and find out more about the stories and people behind them in the 2013 gallery.

 

Wildlife Photographer of the Year

Book tickets for the exhibition opening on 18 October

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The ruffled raven in John Mariott's Fluff-up and Steven Kovacs' freaky-faced jawfish, aptly entitled Father’s little mouthful, are two of the photographic stars that will appear in the 2012 Veolia Environnement Wildlife Photographer of the Year exhibition which opens to the public here at the Museum on 19 October.

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Today we announced tickets going on sale and now wait eagerly for September when all the commended images will be unveiled on our website. As the weeks go by, you'll see more of Mariott's portrait (left) which has been selected to be the publicity image for the exhibition.

 

Since the 2012 competition closed in February this year, the judges have spent many days and nights whittling over 48,000 international entries down to 100 winning pictures. There were photographs from 98 countries and new entries this year from Mozambique, Kazakstan, Svalbad and French Guayana.

 

As usual, the winners and runners-up from the competition are strictly embargoed until the award-winning ceremony in October, but I'm told that - unlike some previous years - all 18 categories have winners this year.

 

Father's little mouthful (below) is the only official preview image revealed now in all its gorgeous glory.

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Steven Kovacs' Father's little mouthful, one of 100 images entered into the 2012 Veolia Environnement Wildlife Photographer of the Year competition which will light up the new exhbition. It shows the strange phenomenon of the male jawfish protecting its offspring in its mouth until they are ready to hatch. Select the image to enlarge it.

To get his technically challenging shot of the diligent dad jawfish, which was taken off the coast of Florida, Canadian photographer Steven Kovacs used three strobes and home-made snoots - tubes that control the direction and radius of light. He recalls:

 

'What struck me about this particular jawfish when I first encountered it was how docile and unafraid it was of my presence. Most jawfish will retreat into their burrows when approached closely, but this particular fish did not seem concerned and did not move at all even when I came very close.

 

'I had been recently experimenting with snoots placed over my strobes to create different lighting effects on my subjects so when I realized how cooperative this subject was I immediately knew it had potential...This jawfish allowed for ample time to work with different strobe positions at very close quarters.

 

'It always provides a great sense of satisfaction when all the elements come together in a technically difficult photograph. To create something different and beautiful is why I photograph. It has been a dream of mine for years to win a place in this competition.'


As judge Soichi Hayashi says of Kovacs' portrait: 'This image has a strong sense of mystery. Epecially impressive is the delicate and elaborate lighting, which gives it a ghastly power.'

 

We look forward to many more weird and wonderful wildlife apparitions when the exhibition opens on 19 October.

 

Visit the Veolia Environnement Wildlife Photographer of the Year exhibition website

 

Book tickets for the 2012 exhibition

 

Join the wildlife photography community online

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On Sunday 11 March at around 5:50 GMT, the Waterhouse Gallery doors at the Museum will close on the current Veolia Environnement Wildlife Photographer of the Year exhibition. This year's showcase of winning photos - the 48th one since we set up the competition - has been a huge hit, as ever with this popular show. It was nominated three times during its run as Time Out's Critic's Choice.

 

Over the last few weeks, the exhibition shop has been busier than ever ringing up sales of the 2011 exhibition Portfolio book, calendars, retro cameras, fridge magnets and, of course, the beautiful prints to remind us of this year's winning photographs. It's no surprise that the print that most people wanted to own was of this little cutie, who lives high up in China's Qinling Mountains (where many of us may never travel to in our lifetimes). The Tiny warm-up photo was the runner-up in the 2011 Gerald Durrell Award for Endangered Species.

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Tiny warm-up by Cyril Ruoso captured the vulnerability of China's endangered golden snub-monkeys. The youngster was one of a band of about 70 monkeys living high up in China's Qinling Mountains, surviving on lichen, leaves, bark and buds. This particular subspecies probably numbers no more than about 4,000. The image was the favourite from this year's exhibition print range.

One of the vital things about this exhibition is that in the latest and best photographs of life, and sometimes death, on our planet, we get closer to creatures and corners of our natural world we wouldn't otherwise know about. And in the stories behind the photos and of the individuals who took them, we learn about important things affecting our environment. The overall 2011 Veolia Enivronnement Wildlife Photographer of the Year winner, Daniel Beltra, is testament to that with his unforgettable Still life in oil image of rescued pelicans from Louisiana's catastrophic oil slick.

 

Whizzing through the gallery one last time - I always wish I could linger more - I realise again how brilliant it is to see these pictures close up and how the back-lit installations bring out all the details, colours and contours so intensely. Working on the exhibition's website as I do, these are things that I sometimes miss.

 

I've got lots of favourites from this year. Here are a couple that will haunt me after my last exhibition visit.

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Fading beauty by David Maitland (above) is incredibly deceptive. It looks like a painting, but the stylishly-shot mass of poppies was photographed on David's local car-park embankment in Wiltshire last summer. Sadly, three days after David captured them in full bloom (before most had seeded) someone weed-killered the lot! So there will be no poppies to brighten up his car park this year.

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Wings of a gull by Jan van der Greef is startling close up with its ethereal iridescent quality. The herring gull's wonderful wing motion and the shimmering stream of water from its legs were taken by Jan on a boat trip in northern Norway. He went to photograph white-tailed eagles, but instead was mesmerised by the gulls. The 2011 exhibition will be remembered for its abundance of breathtaking bird imagery.

The 2011 exhibition has already started its UK and international tour so there are plenty of chances to catch it outside of London.

 

Behind the scenes, the judges of this year's 2012 competition are now shoulders-deep in the first round of the selection process for the shortlist of winners. They have the highest amount of entries ever to contend with - so good luck to them.

 

We'll keep you posted on the Veolia Environnement Wildlife Photographer of the Year website of news on the judging and tour updates.

 

And we're now putting the finishing touches to Wild Planet, a free outdoor exhibition of classic shots from Wildlife Photographer of the Year, opening on the Museum's east lawn on 23 March. Check our website for details of this coming soon.

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The entries have been pouring in for the 2012 Veolia Environnement Wildlife Photographer of the Year competition but I can't believe there's just under one week to go before the competition closes.

 

The entry period has flown by this year, even though there's been almost an extra month due to the early opening in December for the first time. If you want to be in with a chance of winning, you will need to submit the very best of your wildlife photographs and catch the deadline of 23.59 GMT on Thursday 23 February.

 

The competition is open to everyone, from budding amateurs to professionals to young photographers across the world, but you'll need images that stand out from the crowd to get the judges' notice during the thorough selection process. So, for last-minute entrants, here are a few suggestions:

 

From those of you just starting out to those of you already firmly established in your chosen field, there are categories for everyone. Whatever your favourite subject is, be it plants, insects, reptiles, underwater shots, landscapes, urban wildlife, mammals and birds, or more find the category that is best-suited to your skills and interests before you enter. And if you can tell a riveting story through a series of themed photographs, then the photojournalism category could be the one for you.

 

Whatever your age or your experience, get the judges to stop in their tracks with a new angle or an evocative and innovative use of technique or framing and you'll be part-way there.

 

From common subjects to once-in-a-lifetime events, enter photographs that turn them into moments of magic, like this year's Boy meets nature by Alexander Badyaev, Pelican perspective by Bence Máté, Swoop of the sea scavenger by Roy Mangersnes or the techinical simplicity of Great tit poised from one of our youngest entrants in 2011, Corentin Graillot Denaix.

 

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Urban wildlife is full of surprises as captured perfectly in Alexander Badyaev's 2011 winning image, Boy meets nature. From bats in cabins in the Montana wilderness, to coyotes on railway tracks in Canada's Burnaby to Moorish geckoes on the Italian Riviera, last year's winners in this award really captured the moment. (Click images to see them full size)

 

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We must have all seen pictures of pelicans before, but none quite like this. Bence Máté's award-winning photograph doesn't just provide a different perspective, it frames the pelican's most recognisable feature in a fantastically unique way and was just one of a captivating series that won Bence the Eric Hosking Portfolio Award in 2011.

 

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With its striking silhouette and the tight-framing of its subject, Roy's highly commended photograph successfully reflects the sheer size of the white-tailed eagle shortly after it's successful swoop to scavenge a fish.

 

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Keeping the adult entrants on their toes...  one of the youngest 2011 award-winners was Great tit poised by Corentin Graillot Denaix in the Under 10 years category. His simple but carefully framed shot was taken in his garden where he observed the birds who visited the hide constructed by his dad.

 

It's photos like these above that make us catch our breath at the unimaginable wonders of our world. So, whatever your passion, pay heed to some wise words from the youthful Mateusz Piesiak of Poland, the 2011 Veolia Environnement Wildlife Young Photographer of the Year who won with his Pester Power oystercatchers. Mateusz says:

 

"I started with a compact camera and then in 2007 had a major breakthrough in my development when my parents bought me a digital SLR. I also met several nature photographers who showed me how to approach birds and build special photographic hides. As the months and years passed I learnt the secrets of photography and became infected with the rather incurable disease that is bird photography!

 

"I think that what counts above all in photography is creativity and the ability to look at a commonly captured subject and make something new out of it, something that nobody has ever seen before."

 

All the information you need to enter the competition is online, so good luck!

 

Haven't seen the 2011 exhibition yet? You've got until 11 March to catch it here at the Museum in London (attend in the morning if you can to enjoy more space at the exhibition).

 

Can't make it to the Museum? See where where it's touring next, throughout the UK and worldwide.

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Yesterday, as we announced tickets going on sale for the forthcoming Veolia Environnement Wildlife Photographer of the Year 2011 exhibition, we revealed three new images that will star in the exhbition that opens on 21 October here at the Museum. I'm already bewitched by this one.

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Coyote on the tracks, by Martin Cooper (Canada). Many of us Londoners will be enjoying this breathtaking image close-up before stepping inside the 2011 Veolia Environnement Wildlife Photographer of the Year exhibiton. It will feature in the exhibition's publicity posters.

These early-released images join the other 105 commended and winning 2011 photographs appearing in the new exhibition in the Museum's Waterhouse gallery. In the gallery, you'll be able to see them close-up, displayed as beautiful backlit installations, with descriptions and camera details.

 

The winning and commended images were hand-picked from about 41,000 entries, that poured in to the 2011 Environnement Wildlife Photographer of the Year competition. The competition office received images from 95 countries and welcomed Cambodia, Moldova, French-Polynesia, Brunei and Kyrgyzstan for the first time. The jury of photography industry experts spent three months coming to a final decision on the best photos.

 

I'm also told that the overall winner this year has now been chosen, but this information is of course shrouded in secrecy until October.

 

Martin Cooper, who snapped his coyote (above) one October dawn, recalled how the shot was taken at his favourite spot for photographing local widlife on a stretch of railway track in Burnaby, British Columbia. He was actually there waiting for a beaver, but grabbed the moment when he saw the coyote appearing from the undergrowth sniffing for the sign of rodents.

 

It's the spontaneity and the light in Martin's coyote photo that really grabs your attention, as much as the skilful photography and composition itself. And this is true of 13-year-old Ilkka Räsänen's Tern style, one of the other images revealed today (below).

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Tern style, by 13-year-old Ilkka Räsänen from Finland really impressed judges with its use of light. It's one of the highly commended images in the 11-14 year-old category of the Veolia Environnement Wildlife Photographer of the Year young competition, revealed today.

Making an impression, by the UK's awardwinning photographer Andy Rouse, is the other image we have a sneak peek at from the forthcoming exhibition. Andy's exuberant photo (below) captures Akarevuro, a young male mountain gorilla, who charged at Andy and his companions in Volcanoes National Park, Rwanda.

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Making an impression, by Andy Rouse is highly commended in the 2011 Veolia Environnement Wildlife Photographer of the Year competition’s Behaviour: Mammals category. Look out for it in the exhibition.

 

Read the news story to find out more about the about the best wildlife photos sneak preview

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We have just announced the call for entries for our prestigious wildlife photography competition.

 

It’s the 47th competition and the third time Veolia Environnement are sponsoring it. The competition is open to professional and amateur photographers and searches for the most inspirational and evocative images of nature.

 

This time round we have a new set of digital guidelines for entrants (to help with the technicalities of producing and submitting images.) It’s essential anyone entering has a good look at these as well as the all-important competition rules.

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Golden moment: this shot of a bearded tit was captured by a young Dane, Malte Parmo, one of 2010's highly commended 10 years and under award winners

There are more specific rules for the young photographers' competition this year. As Mark Carwardine, the chair of the judging panel, says in his foreword: ‘one of the most rewarding aspects of the competition is the number of youngsters proving themselves to be every bit as capable as their older peers.'

 

Over the last two years, my favourite winning images have been by the young photographers. I love the spontaneity and joyful character that often shines through their pictures. It always amazes me how difficult it is to tell the age of the photographer who took an image. Our young competition entrants are certainly giving the pros a run for their money.

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It's just an animal by Mark Leong, the 2010 Wildlife Photojournalist of the Year. His extraordinary sequence of 6 images follows episodes in the illegal trade of animal parts

 

Although there are no new categories to highlight for 2011, it is only the second year the Wildlife Photojournalist of the Year award has run, so the competition team are encouraging more photographers to consider entering a broad range of portfolios for this award.

 

In 2010 there was no winner in the Urban Wildlife category, and that is something for people to aim for in this year’s round.

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For the special awards, the competition team are keen to attract more positive imagery in the One Earth Award, such as the story connected to this year’s winner, Turtle in trouble by Jordi Chias (above), which saw him release the animal from the net he found it trapped in. They are also hoping for a greater variety of the eligible species on the IUCN Red List in the Gerald Durrell Award for Endangered Wildlife.

 

New judges are joining the 2011 competition panel. Keep up to date with the Judges on the website as we’ll be adding their biographies shortly.

 

Find out how to enter the competition. You've got 2 months to get those images submitted, the closing date is 18 March 2011.

 

See last year's competition winners in the Veolia Wildlife Photographer of the Year 2010 exhibition which is open until 11 March

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It’s one week to go until the Veolia Environnement Wildlife Photographer of the Year 2010 exhibition opens its doors to the public on Friday 22 October.

 

Today, as I write this post, the images are being installed in their new panel placements in the Museum’s iconic Waterhouse gallery.

 

This year the exhibition space has a more airy theme. Its 100 and more prize-winning images from the 2010 competition’s 18 categories are displayed in light panels. It’ll be interesting to see how this compares to last year’s dark, atmospheric ‘pavillion of shadows’ design.

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Peschak's giant female Aldabra tortoise that features in the exhibition's publicity

 

At the entrance to the exhibition gallery, you’ll meet Thomas Peschak’s giant Aldabra tortoise that appears in the main poster for the exhibition. It looks magnificent in the huge banner, towering from on high to greet visitors.

 

Here's how Thomas describes his mighty tortoise shot:

 

"Aldabra giant tortoises normally graze on 'tortoise turf', a blend of herbs and grasses that grows close to the ground in response to being cropped. Often, though, the tortoises will wander onto the beaches to eat washed-up seedpods. This female, who is probably at least 100 years old, regularly forages along the beach in front of a research station on Aldabra in the Seychelles. Tortoises are known to have made sea crossings between islands," says Tom, "and so I was pleased to be able to use the ocean as a backdrop. I lay in her path on the sand, using an extreme wide-angle lens. The moment I took the shot, I had to roll out of her way to avoid her clambering right over me."

 

Watch this space for the overall winners’ announcement which should be after midnight on Wednesday 21 October.

 

It's also worth mentioning that you can enjoy the exhibition After Hours every last Friday of the month starting on 29 October, excluding December.

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There will be over 2,000 stunning wildlife prints for sale from tomorrow, Friday 4 December, in the foyer of the Museum's Flett Theatre (nearest entrance is Exhibition Road).

 

The print sale is on throughout the day during Museum opening hours until Sunday 6 December when it ends at closing time.

 

These are ex-display prints of winning images from previous Wildlife Photographer of the Year exhibitions, from 1997 up to and including 2007, that have toured the world. They are on sale for the first time.

 

From breathtaking landscapes to personal animal portraits, like this cute stoat, you'll get the chance to buy a print from £30 unframed and £50 framed. Art and nature-lovers will be spoilt for choice.

 

What's so brilliant about this Ermine at home image (which you can buy at the sale) is the contrast of the curious little stoat's ermine coat against the granite and ochre wall behind. Read Swedish photographer Peter Lilja's description of how lucky he was to get the shot.

 

The annual Wildlife Photographer of the Year exhibition tours over 60 cities around the world each year. It is a spectacular celebration of the best wildlife photography and goes to museums, zoos, science centres and other venues. Check our website to find out when the 2009 and 2008 exhibitions may be on tour near you.

 

If you haven't already, visit the Veolia Environnement Wildlife Photographer of the Year 2009  exhibition currently showing at the Museum. You can buy gorgeous prints from this exhibition in the shop or order them online.

 

Go wild for Christmas.

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Cry wolf, no... Fly wolf
It’s amazing. You have to go and see The Storybook wolf image at the Veolia Environnement Wildlife Photographer of the Year exhibition, open today at the Museum.

 

The Spanish photographer José Luis Rodríguez took several months to set up the shot of the Iberian wolf leaping through the air over a wooden gate in pursuit of its prey. ‘It was a dream shot,’ says Jose, ‘it took ages to find the ideal location, let alone a wolf that would jump a gate. When I got the shot of my dreams I couldn’t believe it. I think the Spanish can be proud to have such a beautiful animal.’

 

The fairytale, night-time atmosphere of the photograph was captured with a traditional analogue Hasselblad camera (Jose ditched his usual digital camera for the shot). He spent several months beforehand in preparation and hope, and set up an infrared camera trap as a trigger. Judging by the light, he thinks the image was probably taken at very early dawn. The image is one of a handful of the 95 winning photographs in the exhibition that were not taken with a digital camera.

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At the packed press opening of the exhibition yesterday in the Museum’s Waterhouse Gallery, 100s of media photographers and journalists witnessed Jose’s joy at receiving the award. He spoke of his wish to dissolve the superstitions that many Spanish people have for their emblematic wolves with his photograph that shows the agile grace of the creature.

 

The much coveted Veolia Environnement Young Wildlife Photographer of the Year award went to teenage Fergus Gill for his dramatic Clash of the Yellowhammers picture taken in his own garden in Scotland.

 

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Other striking winners, that will no doubt be pleasing visitors to the exhibition, include the pretty-in-pink ant of Raindrop refresher by András Mészáros, and the proud silhouetted Richmond Park deer in young Sam Rowley’s Royal headgear image. Browse all the winners in our online gallery and choose the one you wish to vote your favourite.

 

Lots of the images are availalabe as prints in our Museum shop and you can customise them to your preference.

 

Have a look at some of the early enthusiastic press coverage for the winners:

 

BBC News

Guardian

Mail online

Nature


The exhibition is also open late on the last Friday of the month (except December).

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Who's walking on the wild side? Footprints by Robert Friel

At this very moment, the most outstanding wildlife images from photographers around the world are being mounted for display in their new bigger gallery for this year’s Veolia Environnement Wildlife Photographer of the Year 2009 exhibition. The popular exhibition of the competition winners, now in its 24th year, opens to the public on 23 October.

 

The Museum's iconic Waterhouse Gallery (home to previous sell-out Darwin exhibition) will enable us to show off the winning wildlife photographs in larger format than was possible in the exhibition's former Jerwood Gallery. This year's event also features an atmospheric new design themed on a pavilion of shadows. Very intriguing. Hopefully I can take a peak soon.

 

Another new highlight of the exhibition experience this year is an audio guide with judges, photographers and scientists comments, and an audio guide for the visually impaired (the latter is a first for the UK).

 

We are also very proud that this exhibition is the most eco-friendly one staged yet, boasting the latest power-saving LED light panel technology.

 

To whet your wildlife appetite, get a preview of the highly commended winners on our website from Monday, 5 October. You can find out who the overall winners are on 21 October.

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Algae, leaf, forest? Think again

Personally, I love the brilliant green image on the website banner. But do you know what the 'filter-feeding forest' - the image's name - really is? Most people reckon it's algae, I think it looks like a weirdly lit under-water jungle, but it is in fact the inside of a sea squirt's mouth. This species of sea squirt, photographed in the Philippines by Lawrence Alex Wu, is fairly common in tropical waters. Alex spent years looking inside the little creatures' mouths to get this ghostly image. It's the chlorophyll of the microbes inside the food-trapping, tree-like water filters that cause the vivid green colour that Alex captured. I just wonder how he managed to get the 3-cm long squirters to be still enough to get his open-mouth shot?