Skip navigation

What's new at the Museum

2 Posts tagged with the temporary_exhibitions tag
1

This week we heard the exciting news that last year's summer exhibition, Sexual Nature, has won the Museum + Heritage 2012 Award for best Temporary or Touring Exhibition. The team who conceived, produced and curated the exhibition were at the Awards Ceremony to celebrate. Among them was Mike Sarna, the Museum's Head of Exhibition Interpretation:

 

'Like everything the Natural History Museum does, the Sexual Nature exhibition helped to enthuse more people about the natural world. We are thrilled that the exhibition has been recognised for its excellence and we hope to build on that in the future with more eye-opening, thought-provoking exhibitions.

award-pic.jpg

Museum staff celebrate Sexual Nature's award for best Temporary Exhibition at the prestigious Museums + Heritage 2012 Awards ceremony at Earls Court on Wednesday 16 May.

'Over 100 specimens from the Museum’s scientific research collections provided the main basis for the displays. Cases were filled with colourful birds for attracting, antlers for battling and my favourite "love darts” that certain snails shoot at each other as a sort of foreplay. Film was also key to bringing these specimens to life and demonstrating their sexual behaviours. Watching the many birds of paradise dance and manipulate their feathers for females was so fascinating to watch.

gallery-wide-shot-deer.jpg

'We also included Isabella Rossellini’s humorous short Green Porno films. Of course museums are known for interactivity and I was delighted to see how many visitors smelt Jaguar spray, though those visitors might not be delighted with me.

gallery-first-displays2.jpg

'But the exhibition was also about us - very special sexual animals. The exhibition concluded with a reflective interactive section about human sexual diversity. These displays were in effect curated by you through our Facebook page where we asked people provocative questions about what true love and sex meant to them.

 

'Sexual Nature’s prime objective was to attract new audiences to the Museum. With the exhibition we asked visitors to leave their pre-conceptions at the door and aimed to shift perceptions by delivering engaging science on a core Natural History Museum subject, evolution. We tackled evolution through one of its most important drivers, sexual selection, in a way that was fun, humorous and informative. The Museum is all about transformation and the exhibition was a wonderful catalyst for wider discussion, including our public programmes. The topic was one of our most retweeted topics, so we know you loved talking about it too.

 

'The Museums + Heritage Awards for Excellence celebrate best practice within museums, galleries and heritage visitor attractions and attract hundreds of entries from across the sector. Categories range from best permanent exhibition to innovation. The judges cited our amazing interpretation, our reaching out to new audiences and the bravery of the Museum to tackle a challenging topic. We are thrilled at its success and look forward to it's tour around the globe. If you missed the exhibition you might want to go to Paris in October for the opening of its international tour.'

 

The Temporary or Touring Exhibition Award category was hotly contended and we were up against strong competition including Derby Museums & Art Gallery's Down the Back of the Sofa, the Museum of London's Dickens and London and the National Army Museum's War Horse.

sex-nature-small.jpgorangutan-image-300.jpg

 

Read the news story about Sexual Nature opening in February 2011

 

Museums + Heritage Awards for Excellence 2012

0

Our Blue Zone's Images of Nature gallery welcomed a new temporary Australian-themed exhibition yesterday, showcasing the Museum's impressive 18th-century First Fleet collection of watercolours and drawings.

 

watling-botany-bay-1000.jpg

‘Mr White, Harris and Laing with a party of Soldiers visiting Botany Bay Colebee at that place, when wounded’, Port Jackson Painter/Watling collection. Watercolour, c1790–1797.

 

The British First Fleet arrived in Port Jackson (now Sydney) in January 1788, when 11 ships carrying about 1,400 people landed to establish the first penal colony. Among the sailors and convicts on board were draughtsmen, artists and forgers. They painted and drew the new landscape, its wildlife, and the Eora Nation clans who inhabited the area. Despite their lack of scientific accuracy, the images in the First Fleet collection are some of the most important in the Museum, providing a snapshot of a key moment in Australia's history. They are beautiful, telling images that provide rare natural history and ethnographic records.

 

watarrah-1000.jpgcasowary-2.jpg

 

Left: Waratah, Telopea speciosissima. Port Jackson Painter/Watling collection, watercolour, c1788–1797. The waratah is New South Wales' official floral emblem. Right: Southern cassowary, Casuarius casuarius. George Raper, watercolour and ink, 1792. This cassowary lives in the rainforest of northern Queensland.

 

In the first rotation of 32 First Fleet artworks on display now, you'll find gems like the cassowary and the well-known Waratah (above), official floral emblem of New South Wales, along with stranger-looking species like the Large pretty pink-winged stick insect below. There are also striking portraits of local tradesmen in the collection - often with dramatic stories to tell. The next selection of First Fleet artworks will be installed in the gallery in April.

 

The 600-strong First Fleet collection came into the Museum as three smaller ones known as the Raper, Watling and Port Jackson Painter collections after the artists whose work they contain. The drawings attributed to the Port Jackson Painter are thought to be the work of several unidentified artists.

 

Watling-stick-insect-1200.jpg

 

Above. Large pink-winged stick insect, Podacanthus typhoon. Thomas Watling, watercolour and ink, c1792–1797. There are almost 150 species of stick insect in Australia.

 

The perspective of the Aboriginal Australian people who had been invaded, however, was not recorded in the First Fleet works. So our temporary exhibition features two newly-commissioned installations by Aboriginal artist Daniel Boyd whose provocative work comments on that ommission.

 

At the end of last year Daniel spent several months as an artist-in-residence here at the Museum researching and creating the pieces that are on show in the gallery now. He was putting the finishing touches to his installations last week.

 

dan-boyd-gallery-2-1000.jpgDan-Boyd-Artwork-slide-tall.jpg

Above: Australian Aboriginal artist Daniel Boyd unveils his Up in Smoke Tour installation in the Images of Nature gallery. Watercolours, 24 Museum archival boxes. Right, installation detail.

 

Daniel's work comments on the loss of native cultures recorded in the First Fleet collection, particularly on the British perception of Port Jackson at the time and the Aboriginal Australian people. It's the way these historic images obscure the original indigenous identity that interests the artist. His work in the gallery has also been inspired by the Museum's anthropological collection and he features Museum specimen boxes in his installations.

 

we-call-them-pirates-out-here-1000.jpg

An earlier work by Daniel Boyd. We Call Them Pirates Out Here, 2006, oil on canvas. The work is kept in Sydney's Museum of Contemporary Art collection.

 

Daniel joins today's free Nature Live talk about The Art of the First Fleet (7 February) in the Attenborough Studio. And so too does the Museum's special collections librarian Lisa Di Tommaso, whose book explores The Art of the First Fleet. So pop along to the Darwin Centre's Attenborough Studio at 14.30 to hear and see more of these fascinating works first-hand.

 

Browse the Images of Nature gallery slideshow

 

Explore the First Fleet collection online

 

Watch artist Daniel Boyd on video discussing his new artwork and cultural background